How do you handle editing and retouching?

I offer basic photo editing services including cropping, color correction, and lighting adjustments to enhance the overall quality of the images. In addition, all photos will receive edits to make your images match stylistically with the photos that you see in my portfolio.

How many photos will we receive?

The number of photos you will receive can vary depending on the length and nature of the event. However, a good estimate to use as a guideline is approximately 100 photos per hour of the event. Please note that this is an estimate and the actual number of photos may vary.

When will we receive the edited photos?

You will receive the edited photos within 2 weeks of your event. I understand that sometimes you may need your photos sooner, so I do offer rush options for an additional fee. Please let me know if you have any special time requirements and I will do my best to accommodate them.

Do you offer posed photos?

Yes, I am able to take posed photographs, but it's not my main focus. My specialty is capturing candid and natural moments that showcase the energy, emotion, and dynamics of the performance. While I can definitely take posed photographs, I recommend that you take a look at my portfolio to get a sense of my style and approach to concert photography.

Are there any additional expenses beyond the cost of the photoshoot?

When you book your photoshoot with me, there are no hidden costs or fees. The cost that is quoted to you during the booking process is the final amount you will be responsible for paying. You will not be required to pay any additional costs beyond what is quoted.

What are we able to do with the images?

You are free to use the photos for any personal or commercial use. However, as the photographer, I retain the copyright to the images.

How far in advance should I book?

I typically am booked around 6 months out, but I put no limit on that and I have repeat clients that regularly book me a year in advance in order to ensure their dates. The sooner you let me know the date you’re looking for, the better the chance I’ll be available.

Should we get photos of the actual performance or of a dress rehearsal?

It depends on what you're looking for. I have clients that opt for both, which is the best option since you get the best of both worlds, but if you're only choosing one, consider this: For the performance, I may not be able to move around as much, so the photos may not be as varied as in a rehearsal. However, I can get photos with the audience, which is important to many clients. For a rehearsal, you get more varied photos but no audience shots.

Protestra’s Presidential Transition Protest Performance at St. Paul & St. Andrew United Methodist Church

On March 1, 2025, PROTESTRA held a powerful concert titled "Protestra 2025: Presidential Transition Protest" at the historic St. Paul and St. Andrew United Methodist Church in New York City. This event was more than just a musical performance; it was a compelling stand for human rights and a protest against government overreach, aiming to raise awareness and funds for the New York Immigration Coalition (NYIC), an organization representing over 200 immigrant and refugee rights groups throughout New York.

A conductor leads a chamber orchestra surrounded by an audience seated in church pews.

The program featured Dmitri Shostakovich's Symphony No. 5, a piece renowned for its subversive messaging crafted under the oppressive censorship of the USSR's totalitarian regime in 1937. This symphony's themes of resilience and hope resonated deeply with the evening's message. Additionally, the concert included "Desert Shelter" by J.E. Hernández, a chamber work reflecting on the harrowing experiences of migrants crossing the Sonoran Desert, inspired by real stories Hernández encountered during his detention by ICE in 2013. Edgar F. Girtain IV's "Unidades de Fuerza" (Unity of Strength), originally composed for PROTESTRA's inaugural performance, received its New York City premiere, celebrating the joy and strength derived from solidarity.

A full orchestra performs in a church sanctuary with sheer drapes in the background.

The choice of St. Paul and St. Andrew United Methodist Church as the venue was significant. Known for its strong commitment to social justice and love-inspired action, the church provided a space that echoed the concert's themes of advocacy and community support.

A violinist in glasses plays with focus while another violinist is blurred in the background.

Photographing this event was a profound experience. Capturing the musicians' passion, the audience's engagement, and the venue's historic ambiance highlighted the evening's powerful blend of art and activism. The images reflect not only the technical prowess of the performers but also the collective spirit of resistance and hope that permeated the concert.

A conductor gestures expressively while leading an orchestra.

For more information about PROTESTRA and their mission to highlight social justice issues through the context of classical music, visit their website. To see how you can support the New York Immigration Coalition (NYIC) in their efforts to unite immigrants, members, and allies so all New Yorkers can thrive, click here. If you're planning a performance and wish to have every moment authentically captured, explore my portfolio at www.danwrightphotography.comand reach out through my contact page.

Protestra’s Presidential Transition Protest Performance at St. Paul & St. Andrew United Methodist Church

Dan Wright Photography

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Protestra’s Presidential Transition Protest Performance at St. Paul & St. Andrew United Methodist Church

Much Ado About Nothing at UNDER St. Marks Theatre

The Yellow Wallpaper at Carnegie Hall

Dan Wright Photography

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