How do you handle editing and retouching?

I offer basic photo editing services including cropping, color correction, and lighting adjustments to enhance the overall quality of the images. In addition, all photos will receive edits to make your images match stylistically with the photos that you see in my portfolio.

How many photos will we receive?

The number of photos you will receive can vary depending on the length and nature of the event. However, a good estimate to use as a guideline is approximately 100 photos per hour of the event. Please note that this is an estimate and the actual number of photos may vary.

When will we receive the edited photos?

You will receive the edited photos within 2 weeks of your event. I understand that sometimes you may need your photos sooner, so I do offer rush options for an additional fee. Please let me know if you have any special time requirements and I will do my best to accommodate them.

Do you offer posed photos?

Yes, I am able to take posed photographs, but it's not my main focus. My specialty is capturing candid and natural moments that showcase the energy, emotion, and dynamics of the performance. While I can definitely take posed photographs, I recommend that you take a look at my portfolio to get a sense of my style and approach to concert photography.

Are there any additional expenses beyond the cost of the photoshoot?

When you book your photoshoot with me, there are no hidden costs or fees. The cost that is quoted to you during the booking process is the final amount you will be responsible for paying. You will not be required to pay any additional costs beyond what is quoted.

What are we able to do with the images?

You are free to use the photos for any personal or commercial use. However, as the photographer, I retain the copyright to the images.

How far in advance should I book?

I typically am booked around 6 months out, but I put no limit on that and I have repeat clients that regularly book me a year in advance in order to ensure their dates. The sooner you let me know the date you’re looking for, the better the chance I’ll be available.

Should we get photos of the actual performance or of a dress rehearsal?

It depends on what you're looking for. I have clients that opt for both, which is the best option since you get the best of both worlds, but if you're only choosing one, consider this: For the performance, I may not be able to move around as much, so the photos may not be as varied as in a rehearsal. However, I can get photos with the audience, which is important to many clients. For a rehearsal, you get more varied photos but no audience shots.

The Chain Theatre One-Act Festival — Dan Wright Photography

TW: fake blood, animal death

New York City's theater scene never fails to inspire, and the Chain Theatre One-Act Festival is a prime example of why this city is such a vibrant hub for the arts. This year’s festival, running from August 8th to September 1st, features over 50 plays, showcasing the talents of both emerging and established playwrights. I had the pleasure of photographing three standout one-act plays: The Coronation of Constance, Endless Space, and Where the Socks Go. Each play brought its unique flair to the festival, offering a diverse range of stories and styles that made for an exciting photographic experience.

The Coronation of Constance

The Coronation of Constance, written by Taiwo Aloba, is a sharp satire that cleverly dissects themes of power, tradition, and identity. The play uses a regal setting to lampoon the absurdities of monarchical rule, with characters navigating exaggerated dilemmas that mirror real-world power dynamics. Photographing this production was a visual delight—rich costumes and lighting created a series of powerful, painterly images. The actors’ exaggerated performances and the set design provided a perfect canvas to capture the biting humor and sharp wit that defined the play.

Endless Space

In stark contrast, Endless Space by Mackenzie Robin Krestul offered a minimalist and introspective look at the human condition. The play’s simple set design and focused lighting allowed the actors' performances to take center stage, with the empty space around them enhancing the themes of isolation and existential reflection. As a photographer, I was drawn to the subtlety of this piece—the challenge was to capture the quiet, yet profound, moments that conveyed the depth of the characters' experiences.

Where the Socks Go

Where the Socks Go, by Z. Quinn Reynolds, was a wild ride that blended dark humor with whimsical elements. While the premise of exploring where lost socks go might sound lighthearted, the play delved into some unexpectedly dark territory. One particularly intense moment featured a character consuming a hamster—complete with a blood pack for dramatic effect. This contrast between the playful and the macabre made photographing the play especially intriguing. Capturing the vivid expressions of the actors and the dynamic use of props, like the blood pack, was both a challenge and a thrill. The play’s unique blend of horror and humor created some of the most memorable images of the evening.

Final Thoughts

The Chain Theatre One-Act Festival is a true celebration of storytelling, offering a diverse array of narratives that resonate with audiences on multiple levels. Whether you’re drawn to the introspective and minimalist or the grand and whimsical (with a dark twist), this festival has something for everyone. As a photographer, it was an honor to document these performances, each one a testament to the creativity and talent thriving in New York City's theater community. If you’re looking to experience fresh, innovative theater, the Chain Theatre One-Act Festival should definitely be on your radar this summer

The Chain Theatre One-Act Festival

The Coronation of Constance

Endless Space

Where the Socks Go

Final Thoughts

The Battery Dance Festival 2024

Antigone - Moore Jackson Community Garden

Dan Wright Photography

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