How do you handle editing and retouching?

I offer basic photo editing services including cropping, color correction, and lighting adjustments to enhance the overall quality of the images. In addition, all photos will receive edits to make your images match stylistically with the photos that you see in my portfolio.

How many photos will we receive?

The number of photos you will receive can vary depending on the length and nature of the event. However, a good estimate to use as a guideline is approximately 100 photos per hour of the event. Please note that this is an estimate and the actual number of photos may vary.

When will we receive the edited photos?

You will receive the edited photos within 2 weeks of your event. I understand that sometimes you may need your photos sooner, so I do offer rush options for an additional fee. Please let me know if you have any special time requirements and I will do my best to accommodate them.

Do you offer posed photos?

Yes, I am able to take posed photographs, but it's not my main focus. My specialty is capturing candid and natural moments that showcase the energy, emotion, and dynamics of the performance. While I can definitely take posed photographs, I recommend that you take a look at my portfolio to get a sense of my style and approach to concert photography.

Are there any additional expenses beyond the cost of the photoshoot?

When you book your photoshoot with me, there are no hidden costs or fees. The cost that is quoted to you during the booking process is the final amount you will be responsible for paying. You will not be required to pay any additional costs beyond what is quoted.

What are we able to do with the images?

You are free to use the photos for any personal or commercial use. However, as the photographer, I retain the copyright to the images.

How far in advance should I book?

I typically am booked around 6 months out, but I put no limit on that and I have repeat clients that regularly book me a year in advance in order to ensure their dates. The sooner you let me know the date you’re looking for, the better the chance I’ll be available.

Should we get photos of the actual performance or of a dress rehearsal?

It depends on what you're looking for. I have clients that opt for both, which is the best option since you get the best of both worlds, but if you're only choosing one, consider this: For the performance, I may not be able to move around as much, so the photos may not be as varied as in a rehearsal. However, I can get photos with the audience, which is important to many clients. For a rehearsal, you get more varied photos but no audience shots.

The Melody of Hope at Carnegie Hall — Dan Wright Photography

On a chilly November evening, Carnegie Hall buzzed with excitement for "Hope and Dreams," a concert that promised a blend of solemn reflection and festive joy. The hall, a familiar favorite of mine, was more than just a backdrop; it was a character in its own right, its grandeur setting the stage for an unforgettable night.

Conductor leading an orchestra and mass choir in a grand performance at Carnegie Hall's Stern Auditorium, with elegant architectural details in the background.

The heart of the concert was Heather Sorenson's "Requiem," a poignant tribute to those lost in the COVID-19 pandemic. Its raw emotion and blend of traditional and modern melodies struck a chord with everyone.

Joseph M. Martin's "Christmas Dreams," a lively cantata, contrasted beautifully, filled with festive cheer and catchy tunes.

Joyful conductor with baton mid-gesture, leading an orchestra with a visible score and an engaged audience in the background at Carnegie Hall.

Soloists like Heather Lake Bays and Ryan Johnston gave it their all, their voices echoing through the hall, while choirs from across the country added a rich, communal feel to the music. The orchestra, a constant presence, played with precision and passion.

Two soloists, a man and a woman, perform passionately at microphones on stage, with a harp in the backdrop, during the 'Hope and Dreams' concert at Carnegie Hall.

Each photograph I took that night captured more than a performance; they captured moments of unity, of music transcending barriers, bringing people together in hope and celebration. It was more than just a concert; it was a reminder of the power of music to touch hearts and connect us all.

The Melody of Hope at Carnegie Hall

Guide to Getting Started in Concert Photography

Capturing the Harmonies of Mozart's Messiah at Carnegie Hall

Dan Wright Photography

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