How do you handle editing and retouching?

I offer basic photo editing services including cropping, color correction, and lighting adjustments to enhance the overall quality of the images. In addition, all photos will receive edits to make your images match stylistically with the photos that you see in my portfolio.

How many photos will we receive?

The number of photos you will receive can vary depending on the length and nature of the event. However, a good estimate to use as a guideline is approximately 100 photos per hour of the event. Please note that this is an estimate and the actual number of photos may vary.

When will we receive the edited photos?

You will receive the edited photos within 2 weeks of your event. I understand that sometimes you may need your photos sooner, so I do offer rush options for an additional fee. Please let me know if you have any special time requirements and I will do my best to accommodate them.

Do you offer posed photos?

Yes, I am able to take posed photographs, but it's not my main focus. My specialty is capturing candid and natural moments that showcase the energy, emotion, and dynamics of the performance. While I can definitely take posed photographs, I recommend that you take a look at my portfolio to get a sense of my style and approach to concert photography.

Are there any additional expenses beyond the cost of the photoshoot?

When you book your photoshoot with me, there are no hidden costs or fees. The cost that is quoted to you during the booking process is the final amount you will be responsible for paying. You will not be required to pay any additional costs beyond what is quoted.

What are we able to do with the images?

You are free to use the photos for any personal or commercial use. However, as the photographer, I retain the copyright to the images.

How far in advance should I book?

I typically am booked around 6 months out, but I put no limit on that and I have repeat clients that regularly book me a year in advance in order to ensure their dates. The sooner you let me know the date you’re looking for, the better the chance I’ll be available.

Should we get photos of the actual performance or of a dress rehearsal?

It depends on what you're looking for. I have clients that opt for both, which is the best option since you get the best of both worlds, but if you're only choosing one, consider this: For the performance, I may not be able to move around as much, so the photos may not be as varied as in a rehearsal. However, I can get photos with the audience, which is important to many clients. For a rehearsal, you get more varied photos but no audience shots.

Concert Photography Guide: Master Lenses, Settings & Techniques

In the world of concert photography, every choice from gear to settings plays a pivotal role in capturing the energy of live performances. I'm going to give you an insider's view of my approach and offer some tips for those starting out in the field.

Panic! at the Disco at Madison Square Garden

The Ideal Lens Lineup: In my bag, I carry a range of Nikon lenses, each serving a unique purpose. The 70-200 f/2.8 is perfect for close-ups from a distance, while the 24-70 f/2.8 is versatile for a variety of shots. The 14-24 f/2.8 allows me to capture the vastness of the stage and crowd, and for those really far shots, the 200-500 f/5.6 is indispensable. Each lens brings its own strength to the table, ensuring I'm prepared for any scenario.
Starting Out in Concert Photography: For beginners, I recommend starting with a 50mm prime lens. It's affordable, and the wide aperture is ideal for low-light conditions you'll encounter in concerts. It's a great way to learn the nuances of concert photography without overwhelming yourself with too many options.
Camera Body: I shoot with two Nikon z7 bodies, renowned for their exceptional performance in low light. This choice allows me to switch between lenses swiftly, thanks to my BlackRapid RSD-1BB Double (DR-1 Double Strap), minimizing downtime and keeping me ready for action at all times.
Cranking Up the ISO: In concert photography, lighting is a wild card. I often push my ISO above 3200, and I'm not afraid to go as high as 10000. Embracing the grain can add character to your shots, and it's a trade-off I'm willing to make for capturing crisp, dynamic images in challenging lighting.
Autofocus and Manual Settings: I stick with AF-S autofocus for precision and shoot entirely in manual mode. This control allows me to adjust swiftly to the unpredictable movement and lighting of live performances. I prioritize a fast shutter speed, typically above 1/320, to freeze motion, and keep my aperture around f/4, opening up to f/2.8 when I need that extra light.
Composition and Timing: In concert photography, it's not just what you capture but when you capture it. Anticipating movements, expressions, and interactions is key. I always aim to keep a balance between technical precision and capturing the spontaneous energy that makes live music so captivating.

Whether you're just starting out or refining your skills, concert photography is a journey of constant learning and adaptation. Embrace the challenges, experiment with your gear and settings, and most importantly, enjoy the ride. The stage is an ever-changing canvas, and you're the artist capturing its fleeting moments.

Beginner's Guide to Mastering Concert Photography Cameras and Composition

Dan Wright Photography

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Beginner's Guide to Mastering Concert Photography Cameras and Composition

Capturing the Harmonies of Mozart's Messiah at Carnegie Hall

Twilight Mass World Premiere Carnegie Hall

Dan Wright Photography

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